Reader, you are gazing upon an image of the world’s greatest living Sconnie. It’s Geoff Herbach, and he is forty years old today.
The glasses he is wearing in this photo were purchased as a kind of a joke, because we had both helped write an urban planning radio musical about a twee-pop band last year, and Geoff played the lead twee-pop songwriter. So he needed a suitable pair of tongue-in-cheek 1980s sad-person glasses. But he actually looked fairly good in them, and started wearing them on a regular basis, even after the performance’s run had ended. “I see why computer guys like these,” he exclaimed one evening, walking around his living room whipping his head around. “You can really see everything! I’ve got perfect 360 degree vision!”
That is my own personal idea of Herbach: a man with perfect 360 degree vision who can see things around him. I, uh, guess that works on a couple of different levels, but Herbach would write it better.

Reader, you are gazing upon an image of the world’s greatest living Sconnie. It’s Geoff Herbach, and he is forty years old today.

The glasses he is wearing in this photo were purchased as a kind of a joke, because we had both helped write an urban planning radio musical about a twee-pop band last year, and Geoff played the lead twee-pop songwriter. So he needed a suitable pair of tongue-in-cheek 1980s sad-person glasses. But he actually looked fairly good in them, and started wearing them on a regular basis, even after the performance’s run had ended. “I see why computer guys like these,” he exclaimed one evening, walking around his living room whipping his head around. “You can really see everything! I’ve got perfect 360 degree vision!”

That is my own personal idea of Herbach: a man with perfect 360 degree vision who can see things around him. I, uh, guess that works on a couple of different levels, but Herbach would write it better.

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Invariably used without permission.

A few years ago Nate came up for a visit, and we were at the Half Price Books in St. Louis Park. Nate was stocking up on Henry Roth paperbacks or whatever, and I was perusing a very handsome three-hundred page hardcover volume on Tijuana bibles. We’d been in the store for about an hour, and it was about time to leave.

“What’s that?” asked Nate.

“Oh, it’s a book on Tijuana bibles,” I told him. “Really interesting. Very titillating, very scholarly — that’s a rare combination.”

“Well, bring it up front and let’s go.”

I shook my head. “Naw, I’m not going to buy it,” I said, admiring a crude rendering of Cary Grant’s wang before reshelving it.

“Why not? It looks great.”

“It is, there’s some really good essays and really charming drawings of Cary Grant’s wang, but I don’t have any money.”

“How much is it?”

“Five dollars.”

Five dollars? Are you kidding? You have five dollars! Come on! Buy it!”

“Naw, my personal library doesn’t need an informative, well-researched illustration-heavy book featuring drawings of Cary Grant’s wang,” I said dismissively. ”Let’s go.”

“Fine, but you are going to regret not buying that,” he warned.

I waved my hand and frowned and made that pfffft sound. We left the store and drove back down Excelsior Boulevard and the Miracle Mile, back into Minneapolis.

That was four years ago. There is not a week that goes by where I don’t think about that god-damned book.

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Maybe you already saw that “riot grrl” kiddie costume making the rounds on your favorite blogs? Well, nice try, pint-size. I perfected the riot grrl costume myself one briefly beardless Halloween night in 2006. (Hint: I’m the one the left.)
And lest you think this awesome costume is simply mocking, heartless burlesque, note the careful and (dare I say) loving attention to detail: those neon 1” buttons on my sweater are for Half Seas Over, a magnificent Louisville-based band that relocated to Portland sometime in the early-2000s and transmorgified into Swan Island, members of whom eventually went on to teach at the Rock and Roll Camp for Girls. Game, set, match.

Maybe you already saw that “riot grrl” kiddie costume making the rounds on your favorite blogs? Well, nice try, pint-size. I perfected the riot grrl costume myself one briefly beardless Halloween night in 2006. (Hint: I’m the one the left.)

And lest you think this awesome costume is simply mocking, heartless burlesque, note the careful and (dare I say) loving attention to detail: those neon 1” buttons on my sweater are for Half Seas Over, a magnificent Louisville-based band that relocated to Portland sometime in the early-2000s and transmorgified into Swan Island, members of whom eventually went on to teach at the Rock and Roll Camp for Girls. Game, set, match.

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Art Institute of Miami - beechershandmadecheese.com - Find it here.
Oops, the AIM is letting the big secret slip…
I remember, in my own art school days, that terrible, inevitable moment after the weekly group critiques, when my professor would stand up and yell: “All right, you Picassos, playtime is over! You think that milk is going to separate itself into curds and whey?” Then he’d throw copies of Janson at our heads as we scurried down into the vat room in terror, where we would mill curd for hours, our vintage thrift-store outfits caked with rennet. This Google ad is a rare slip: the art schools of America are almost all secret cheese mills (except SCAD, where undergrads are forced to churn artisinal butter, and RISD, which is a yogurt sweatshop). Have you ever wondered where all that cube cheese at gallery openings comes from? Take your blinders off.

Art Institute of Miami - beechershandmadecheese.com - Find it here.

Oops, the AIM is letting the big secret slip…

I remember, in my own art school days, that terrible, inevitable moment after the weekly group critiques, when my professor would stand up and yell: “All right, you Picassos, playtime is over! You think that milk is going to separate itself into curds and whey?” Then he’d throw copies of Janson at our heads as we scurried down into the vat room in terror, where we would mill curd for hours, our vintage thrift-store outfits caked with rennet. This Google ad is a rare slip: the art schools of America are almost all secret cheese mills (except SCAD, where undergrads are forced to churn artisinal butter, and RISD, which is a yogurt sweatshop). Have you ever wondered where all that cube cheese at gallery openings comes from? Take your blinders off.

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[Flash 9 is required to listen to audio.]

76 Plays. Download?

Top three memories associated with Freddy Fender’s 1975 country hit “Before the Next Teardop Falls”:

  • Trying to learn the words and melody so I could work it into a medley with “Interstellar Overdrive,” “Act Naturally,” “Tobacco Road,” “Land of 1,000 Dances,” “Seven and Seven Is,” “Let’s Build a Car” and “Honor Thy Father and Mother” with my old band for a year-end reunion show in 2006. The idea was to attempt to honor the dead musicans of that year (which including Freddy Fender) with a Dead Musicians of 2006 Hit Medley, only to realize (1) we had no time to prepare such a complex medley and (2) we were absolutely terrible at learning new songs, anyway.
  • Yelping triumphantly when it appeared on a mix CD my friend Charlie made for me last year, where all the songs were themed around crying. The whole time I listened to the CD, I was thinking “Oh, man, I hope that Freddy Fender song is on it,” and then it was! For this reason and many others, it is perhaps still the greatest mix CD anyone has ever made me.
  • Hearing it in a very vivid dream from when I was 14, wherein a dignified old man in a suit that I understood to be the prime minister of Japan was singing it to me as he slowly committed suicide and I stood by helplessly. Yeesh! Troubled teenage psyches!
Steph has a really nice camera, so you know you will always look OK when she takes a picture of you. This one is from Saturday night. I look like I am considering a number of sad, crazy ideas about the way life should be lived. Maybe I am!
Actually, that’s the perfect tone, because I am hoping photographs like this can be used to trick advertising executives into using my epic sad-crazy American poetry for the new Levi Strauss blue jeans fall ad campaign. “Sturdevant’s got the impatient, full of action, full of manly pride and friendship western youthful look that’s really hot right now,” they’ll say. “Throw ten thousand dollars at him and let’s see what happens.” We must cash in, my darlings!
(On a related note, how do those Walt Whitman Levi’s commercials make you feel? I will admit they fill me with a strange and not altogether disgusted feeling, which probably has something to do with the shock of hearing wax cylinder recordings emanating from a source other than the old beloved-by-us-dorks UCSB archives. Actually, it’s sort of a generally positive feeling. While I have probably seen enough ad campaigns knocking off Ryan McGinley’s wild-shirtless-bros imagery to hold me over until I am a very old man, I do like hearing Walt Whitman recordings in public, and wish I did more often. Plus, Levi Strauss was manufacturing clothing while Whitman was still alive, which seems worth pointing out somehow. I guess I approve. Of course, it won’t make me run out and buy jeans, because I never wear jeans.)

Steph has a really nice camera, so you know you will always look OK when she takes a picture of you. This one is from Saturday night. I look like I am considering a number of sad, crazy ideas about the way life should be lived. Maybe I am!

Actually, that’s the perfect tone, because I am hoping photographs like this can be used to trick advertising executives into using my epic sad-crazy American poetry for the new Levi Strauss blue jeans fall ad campaign. “Sturdevant’s got the impatient, full of action, full of manly pride and friendship western youthful look that’s really hot right now,” they’ll say. “Throw ten thousand dollars at him and let’s see what happens.” We must cash in, my darlings!

(On a related note, how do those Walt Whitman Levi’s commercials make you feel? I will admit they fill me with a strange and not altogether disgusted feeling, which probably has something to do with the shock of hearing wax cylinder recordings emanating from a source other than the old beloved-by-us-dorks UCSB archives. Actually, it’s sort of a generally positive feeling. While I have probably seen enough ad campaigns knocking off Ryan McGinley’s wild-shirtless-bros imagery to hold me over until I am a very old man, I do like hearing Walt Whitman recordings in public, and wish I did more often. Plus, Levi Strauss was manufacturing clothing while Whitman was still alive, which seems worth pointing out somehow. I guess I approve. Of course, it won’t make me run out and buy jeans, because I never wear jeans.)

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Testing.

Blah blah blah, look at me, I’m S. 12th, everyone! I screw up the flow of your dashboard with a bunch of long, boring posts full of run-on sentences that go on for nineteen paragraphs…

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"To the east WELCOME, to the west WELCOME..."

Here is an excerpt from a reader’s (presumably negative) two-star customer review of Richard Brautigan’s Trout Fishing in America in Arabic Farsi (thanks, Age of Dhool!). If anyone speaks Arabic Farsi, I would love to know what specifically is being singled out for criticism.

صید قزل آلا در آمریکا نوشته ریچارد براتیگان یک رمان پست مدرن است. براتیگان در این اثر که شاهکار او محسوب می شود نگارش داستان را تکه تکه پیش برده است که هر تکه را می توان به عنوان بخشی جدا در نظرگرفت و به این دلیل ظاهر این رمان شبیه مجموعه داستان کوتاه است و داستان ها را می توان مس.. صید قزل آلا در آمریکا نوشته ریچارد براتیگان یک رمان پست مدرن است. براتیگان در این اثر که شاهکار او محسوب می شود نگارش داستان را تکه تکه پیش برده است که هر تکه را می توان به عنوان بخشی جدا در نظرگرفت و به این دلیل ظاهر این رمان شبیه مجموعه داستان کوتاه است و داستان ها را می توان مستقل از همدیگر و بدون در نظر گرفتن ترتیب آنها خواند. نشانه هایی از قبیل داشتن یک فرزند خردسال و مسافرت با شریک زندگی که در بخش های مختلف کتاب آمده سبب می شود به راحتی نتیجه گرفت که راوی در بخش های مختلف داستان یک نفر است. ضمنا نقل تکرار شده داستان درباره فردی با نام کوتوله صید قزل آلا در آمریکا که به گفته راوی یک الکلی آس و پاس است را می توان به عنوان رد پای راوی یکسان در همه داستان ها در نظر گرفت. با هم در نظر گرفتن کل رمان از راوی داستان که صید قزل آلا را در مکان ها و زمان های مختلف نقل می کند و حوادث مختلفی برایش پیش می آید داستان را بهتر در ذهن خواننده جا می اندازد.

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